A plane carrying a sound source flies past an observer: watch the spherical wavefronts squeeze ahead and stretch behind, listen to the pitch drop as it passes — then speed up to the speed of sound and break the sound barrier. At v > c the fronts build up a Mach cone and the observer hears a sonic boom.
compression rarefaction wave crests (fronts); the domes are the same fronts in 3D
The crests are spheres emitted from exact points of the path, with radius c·(t − tₙ). The observed frequency is computed from the moment the sound was emitted, so the numbers match the formulas and do not depend on the slow motion. c = 340 m/s.
The Doppler effect is the change in the frequency (pitch) heard by an observer when the source of the waves and the observer move relative to each other. The source itself sounds as usual, and the speed of sound in air stays c = 340 m/s. What changes is the spacing of the crests: when the source chases its own waves they bunch up and arrive more often — the pitch rises; when it moves away they stretch out — the pitch falls. That is why an ambulance siren sounds higher while the vehicle drives towards you and suddenly “slides” down the moment it passes. The effect was predicted by the Austrian physicist Christian Doppler in 1842, and in 1845 the Dutch scientist Buys Ballot tested it: trumpeters on an open railway wagon held a single note while musicians with perfect pitch on the platform heard it rise as the train approached and fall as it receded. Today the Doppler effect is behind police speed radars, ultrasound measurements of blood flow and the measurement of the speeds of stars and galaxies from the shift of their spectra. If the source flies faster than sound, the waves cannot get ahead of it at all: they pile up into a Mach cone, and instead of a growing roar the observer hears a sharp bang — the sonic boom.
In one period a wave travels exactly one wavelength — hence v = λf
Upper sign — the source approaches (ahead of it), lower sign — it recedes (behind it)
“+” — the observer moves towards the waves, “−” — away from them
θ is the angle between the velocities and the direction “point of emission → observer”; on a straight line cos θ = ±1
In supersonic flight the fronts form a cone with half-angle α
Why the pitch changes. A sound source emits wave crests at equal time intervals T₀ = 1/f₀, and every crest spreads out at the speed of sound c = 340 m/s from the point where the source was at the moment of emission. The speed of sound is set by the medium, not by the source. When the source moves, the centres of the spheres shift: ahead of it the crests catch up with each other and the wavelength shortens, λ = (c − v)/f₀; behind it they stretch, λ = (c + v)/f₀. The crests reach an observer at rest with the same speed c, so the observer hears the frequency f = c/λ: f = f₀·c/(c − v) while the source approaches and f = f₀·c/(c + v) when it recedes. That is the Doppler effect — the familiar “eeee-oooo” of a passing ambulance.
What the simulator shows. The floor shows the air pressure in the plane of flight: orange is compression, blue is rarefaction, the light circles are the crests. Above the floor the same crests are shown in 3D as translucent domes. The green ball is the observer; click on the floor to move it. Every crest that reaches the observer makes it flash, so you can see that the flashes at the observer come more or less often than at the source. Below the scene there is a slice along the flight line: the pressure curve p(x) with the wavelengths ahead and behind, and rows of air particles that oscillate along the direction of the wave (sound is a longitudinal wave). Further down — an oscilloscope “what the source emits / what reaches the ear” and the graph of the observed frequency f(t) with dashed lines f₀·c/(c − v) and f₀·c/(c + v). Time is slowed down 100 times, but all numbers are real: the crest positions and the frequency come from exact formulas.
The observer can move too. If the source stands still and the observer runs towards it at v_o, the wavelength in the air does not change, but the crests are met more often: f = f₀·(c + v_o)/c. In general f = f₀·(c − v_o·cos θ)/(c − v·cos θ), where θ is the angle between the direction of flight and the line “point of emission → observer”. The Measurements tab shows the exact frequency and checks it against this formula. If the observer stands off the flight path, the frequency changes smoothly from high to low — exactly when the sound emitted during the pass reaches them.
The sound barrier and the Mach cone. The Mach number M = v/c tells how many times faster than sound the source is. At M = 1 the source keeps pace with its own crests: ahead of it they merge into a single wall of high pressure — a shock wave. At M > 1 the source outruns its sound and the fronts build up a cone with sin α = 1/M. Ahead of the cone lies a zone of silence: a supersonic plane flies past first, and only then does the cone reach the observer — a sharp bang, the sonic boom. After the boom the observer hears two sounds at once: waves emitted at different moments arrive together.
Try this. 1) Press “0.5c” and compare λ ahead and behind: 0.50 m and 1.50 m at f₀ = 340 Hz, with frequencies of 680 and 227 Hz. 2) Turn on “Listen as the observer” and hear the pitch drop during the pass; the “Fly-by in real time” button plays the same pass without slow motion. 3) Press “Speed up through the barrier” and watch a shock wave being born from the squeezed fronts. 4) At “1.5c” measure the cone angle: sin α = 1/1.5, α ≈ 41.8°. 5) Turn on “Test yourself” and predict the result before you see the experiment.
First come simulators and problems from this very chapter, then closely related topics of the section.
Waves · Interference
Mechanics · Motion
Mechanics · Energy
Mechanics · Energy
Mechanics · Momentum
Mechanics · Circular Motion